Becca tells us that even though some events have been postponed because of the ice and snow, there are still some certainties ahead on the events calendar.
Ozarks At Large
From Thanksgiving to Super Bowl Sunday, area police officers are on high alert for those that might be driving while intoxicated. We talk to officials about why Fayetteville has more DWI's than any other Arkansas city.
The new(ish) restaurant 28 Springs, in downtown Siloam Springs, uses a mix of food, atmosphere and science to explore culinary ingredients.
Students from Elkins High School spent time inside a local Walmart, learning about retail basics.
Four years after Woodstock, a circle of friends living in Eureka Springs decide to stage an Ozark heritage family folk festival on a remote and rugged Carroll County wilderness. But instead of parents with children, an estimated hundred fifty thousand hippies showed up. Jacqueline Froelich takes us to visit the site, on the fortieth anniversary. (Photo: April and Dustin Griffith, landholders, hold up an artifact found on a festival campsite.)
Ahead on this snow day edition of Ozarks at Large, our weekly conversation with Michael Tilley of The City Wire; plus the violent explusion of an African American settlement in southeastern Crawford County comes to light, ninety years after the fact.
Pianist Ashley Eriksson recently was in Northwest Arkansas for a performance at the Fayetteville Underground. While she was in town, she stopped by the Firmin-Garner Performance Studio to play a few songs.
Ninety years ago, an African American colony which had settled in Catcher in southeastern Crawford County was driven out by a throng of angry whites. The truth behind the violent expulsion is finally coming to light.
After months of preparation, the event's organizers say that the weekend's craft fair will still go on, regardless of the weather.
Michael Tilley of The City Wire says that a meeting will take place next week to best decide how to move forward on the water park project for Fort Smith and Sebastian County.
Latest Edition of Ozarks at Large
Tuesday, February 11, 2014
Ahead on this edition of Ozarks: In 1980, thousands left Castro's Cuba on a boatlift to the United States. Many of them were given housing at Fort Chaffee. Jacqueline Froelich examines what happened then, what's happened since…and why historians are spending time getting the facts correct. Plus, a new adult education library for Northwest Arkansas Community College.
In just more than a decade, Mark Landon Smith, director of Arts Live Theatre, has taken the program to new heights. Becca Martin Brown has more on their upcoming season.
Here are our ten clips inspired by monster trucks...well, all monster---no trucks.
1. Bobby Pickett sings Monster Mash.
2. Boris Karloff and O.P. Heggie in an iconic (if often misquoted) scene from The Bride of Frankenstein.
3. Warren Zevon's song Werewolves of London.
4. Maria Ouspenskaya and Lon Chaney, Jr. in The Wolf Man.
5. Godzilla, the song by Blue Oyster Cult.
6. Godzilla, the fire-breathing monster.
7. Edgar Winter and the classic rock instrumental, Frankenstein.
8. King Kong's roar. You get credit if you guessed a lion's roar played backwards...because that's what it is.
9. Imagine Dragons' song Monster.
10. Bela Lugosi's Dracula doesn't lie...he just doesn't tell the whole truth.
Apologies to: Lon Chaney, Sr. (silent films are not good Sunday Montage fodder), the Creature From the Black Lagoon and Of Monsters and Men. Maybe next time.
The Arkansas gross domestic product grew in 2013, particularly in some unexpected sectors. With one of the architects of the Arkansas Private Option defeated in a primary runoff this week, the future of the Medicaid expansion is in doubt, but Governor Mike Beebe is undeterred. Plus, this weekend marks the 149th anniversary of the end of slavery in the U.S., and the 17th annual NWA Juneteenth Celebration will mark the occasion in Springdale.
"Ten Million Slaves" Otis Taylor
Michael Tilley, from The City Wire, talks about the latest details regarding an acquisition of Hillshire.
