Ahead on Ozarks, Mercy Hospital continues its commitment to sustainability with a new recycling program. Also a conversation with the author of “Sharecropper's Troubadour.”
Ozarks At Large
Michael K. Honey's new book Sharecropper's Troubadour gives us details of the life of John L. Handcox.
A screening of the documentary film Girl Rising aims to raise local awareness to the challenges girls face globally in education. Hosted by GIRLS Rock of Ramay Junior High, the screening will be at 6:30 Thursday evening at the Fayetteville High School Performing Arts Center.
In his weekly recap, Roby Brock discusses Home BancShares reporting a record first quarter profit and more.
P3 Waste Consulting has helped develop a program for Mercy Hospital in Rogers to recycle blue wrap used to keep surgical instruments sterile.
The state Department of Workforce Services releases March unemployment numbers for Arkansas, though they remain slightly above the national rate. Plus, the state's constitutional ban on same-sex marriage will either be reaffirmed or struck down in the coming weeks.
Ahead on this edition of Weekend Ozarks, a conversation with author Joyce Carol Oates prior to her lecture in Fayetteville. Plus, a bit of tinkering before the Amazeum opens to children and the community next fall.
As you Like It will be performed by the University of Arkansas, and an Earth Day Celebration is just around the corner. Becca Martin Brown has What’s Up.
Here are the ten clips used in our salute to jumping:
- “Jump Around” House of Pain
- White Men Can’t Jump
- “Jumpin Jive” Joe Jackson
- Dirty Harry
- “Jumpin Jack Flash” Rolling Stones
- 21 Jump Street
- “Jump in Line” from Beetlejuice
- Divergent
- “Jump” Van Halen
- Tony Danza on Sesame Street
Latest Edition of Ozarks at Large
Thursday, May 15, 2014
Ahead on this edition of Ozarks: in an effort to facilitate further business success in Arkansas, the Arkansas Economic Development Commission has launched a new website, ArkansasFavorsTheBold.com. We'll have a conversation with Grant Tennille, that organization's executive director. Plus, the Fourth Congressional District, geographically the largest in the state is in the midst of a heated Republican race this primary season. We have part one in a series of conversations with each candidate.
Becca Martin Brown says that the unique work of art will be installed at Crystal Bridges this week.
Surf de Soleil is one of the bands performing at a benefit for Guatemala tonight at George's Majestic Lounge in Fayetteville. Earlier this week, they stopped by the Firmin-Garner Performance and played their song "It's You and It's Me."
Emily Chase recently received a national honor for her thesis work at the University of Arkansas. She told us about the creation of her paper gowns.
To see pictures of some of Emily's work, click here.
The fifteenth-annual living history tour of Oak Cemetery is Sunday. Portrayals of Fort Smith's past residents, prominent and not, all tell a story of the city's history.
Here is the key to our clips heard in this morning’s montage of famous cemeteries, graveyards and funerals in pop culture:
Thriller by Michael Jackson. The most famous dance routine set in a graveyard.
Opening moments from the original Night of the Living Dead.
The original “graveyard smash”, "The Monster Mash" by Bobby Pickett.
A wonderful Lee Marvin stumbles into a funeral in the underrated comedy, Cat Ballou.
Gene Wilder and Marty Feldman have a rough night in the cemetery in Young Frankenstein.
Opening moments from a 1940 film version of Thornton Wilder’s Our Town.
Abe Vigoda and Al Pacino is a pivotal scene at Don Corleone’s funeral in The Godfather.
Theme from the HBO series Six Feet Under.
Reginald Owen as Scrooge in the 1938 film A Christmas Carol as he sees his own grave.
The Crypt Keeper from an opening episode of the HBO series Tales From the Crypt.
Apologies to: that wonderful scene with Eli Wallach in The Good, the Bad and the Ugly, Dick Van Dyke’s narration in the opening of the movie The Comedian, all those vampire movies, about 1000 metal songs and the still-creepy ending to Carrie. Maybe next time.