Becca Martin Brown discusses the lineup for this year's Harvest Music Festival.
Ozarks At Large
The state's Department of Corrections has announced it will make changes to the state's parole system following calls by Governor Beebe and others to strengthen the supervision and control of parolees in the state. While new unemployment numbers show a decline in the state's business sector, other areas have experienced growth. Opposition is mounting against the White River's designation as a National Blueway. And non-profit organizations looking to Rogers to host baseball tournaments will soon have to pay more to play.
Ahead on Weekend Ozarks, an update on bringing the play "B-Side: Myself" to stage, and a look at how one local farm is training veterans to become farmers themselves. Plus, we talk bitcoins with our tech ambassador, and we celebrate the beginning of summer.
The 1 Oz. Jig will perform this afternoon at the Fayetteville Public Library, but they stopped by the Firmin Garner Performance Studio to give us a sneak peak. Here's another song they played during that set.
Though we don't normally cover the doom and gloom, Timothy Dennis brings us a roundup of stories from the past week that involved statutes, crimes and punishments, and no Dostoyevsky.
In the final part of our series on the Arkansas Research & Technology Park, we take a look at some of the resources based in the park's Innovation Center, and a look at how the entrepreneurial climate is changing in northwest Arkansas.
The annual Armed to Farm program in Northwest Arkansas is a collaboration that aims to arm veterans with pitch forks and knowledge in an effort to help them recover from active duty and prepare them for a career in small farming. Ozarks at Large's Christina Thomas talks with a few of the key players and some veterans.
On this edition of Ozarks we'll talk to six of the more than 80 musicians who participate in the Artosphere Festival Orchestra. This month, for the third consecutive year, the orchestra is formed in mere days to present concerts all over northwest Arkansas. We also continue our series on what happens at the Arkansas Research and Technology Park, and we find out what happens at the Office of Innovation.
Arkansas is one of 45 states to enact Common Core State Standards. A new office on the University of Arkansas campus has been established to find new ways bring those standards into the state's schools. We learn more about the Office of Innovation in Education from the office's director.
The road to capitalizing on research and development can be a long one. It can take years before a technology startup actually turns research into a physical product. In the second part of our series on the Arkansas Research and Technology Park, we take a look at a pair of companies turning research into revenue:Latest Edition of Ozarks at Large
Friday, March 28, 2014
Ahead on this edition of Ozarks, Isayah's Allstars performs inside the Firmin-Garner Performance Studio, details on a festival that celebrates edamame, and Michael Tilley from The City Wire gets us up to date on the week in news.
That's the question that Fabio Mendez, an economics professor at the University of Arkansas, sought to answer with his latest paper.
Depending on your musical taste, Becca Martin Brown suggests watching Murder By Death or The Pop Ups.
The saugeye, a hybridization of the walleye and sauger, is being introduced to the smallest lakes in Bella Vista.
Web Exclusive: Three More Questions About Fish
According to a study by the Arkansas Pharmacists Association, the number of adults getting immunized is up 300% from last year.
"True collaboration is that willingness to extend yourself to a new place but in a way that does not feel like anything has been given up," says singer-songwriter Tift Merritt. While collaboration between musicians of different genres is nothing new, it's difficult to do well. The album "Night," a collaboration between Merritt and classical pianist Simone Dinnerstein, does just that. Reviewer Katy Henriksen explores the collaboration in which classical composers like Schubert and Purcell connect seamlessly to Billie Holiday's "Don't Explain," the folk traditional "Wayfaring Stranger," a Leonard Cohen inspired instrumental and much more to create a singular song cycle that could only come from these two musicians.
