The Early Morning Bourbon Girls play another song inside the Firmin Garner Performance Studio, titled "Mountain Lion."
Ozarks At Large
We visit a Knit Night and visit with local knitters about the ways to knit both old and new.
Becca Martin Brown discusses numbers six through ten of the top entertainment stories of 2013. She'll tell us the top five stories on next Sunday's edition of Weekend Ozarks.

Link: To see the full report: click here
Healing Touch, an international healing program, is a biofield therapy, meaning it deals with the magnetic field around the body, to promote various areas of healing. The Healing Touch ministry at St. Paul's Episcopal Church in Fayetteville is more than a decade old, and now has its own location, ten practitioners and provides more than 600 treatments annually.





Latest Edition of Ozarks at Large
Sunday, March 23, 2014
Ahead on this edition of Weekend Ozarks, the sacrifices some professors make when they sign on as an adjunct instructor. Plus, the personal papers of the prominent Arkansas politician Dale Bumpers are opened at the University of Arkansas.
Here, the band performs the song "Never the Less."
People are gathering at the state capitol today to speak out against the record prison population in Arkansas. and, gas prices in the state are on the rise.
"Bongolia" by The Incredible Bongo Band, and "Painted Chariot" by Incredible String Band
Roby Brock from our content partner Talk Business Arkansas says the latest Talk Business Hendrix College Poll shows many races are a tossup.
"Four on Six" by Wes Montgomery
New public education standards known as “Common Core,” an interdisciplinary English, Language Arts, and Math curriculum, is now being taught in 44 states including Arkansas. But as Jacqueline Froelich reports, Arkansas is also among 26 states drafting new national science standards.
Once a year the Shiloh Museum of Ozark History celebrates the past and present of a wonderful place in Madison County.
"Big Bang Backwards" by Thomas Dolby, and "New Orleans Instrumental No. 1" by REM