Moshe Safdie recently toured Crystal Bridges Museum of American Art to discuss his work.
Ozarks At Large
Roby Brock talks with gubernatorial candidate Mike Ross about his plan for jobs and the economy in Arkansas.
On this edition of Ozarks, a conversation with gubernatorial candidate Asa Hutchinson. Also, Walmart hosts its first open call for hundreds of U.S. suppliers. 
Eureka Springs Hospital is one of the tiniest and oldest in Arkansas, built in 1929. A for-profit medical facilities management firm, which leases the antiquated hospital wants to build a brand new facility on the outskirts of town. But to make it happen, the city of Eureka Springs will have to provide a major infusion of money.Becca says the Shiloh Museum's photo exhibit on medicinal springs in NWA is on display through December.
Roby Brock speaks with gubernatorial candidate Asa Hutchinson about his jobs plan for the state of Arkansas, including workforce education. Teacher insurance and the future of health care in Arkansas were front and center yesterday.
Arkansas business leaders call for immigration reform, Governor Beebe asks for emergency assistance and True Detective may earn an alum from the University of Arkansas an award.
Latest Edition of Ozarks at Large
Friday, July 11, 2014
On this edition of Ozarks, how ex-pats in NWA watch the World Cup. And, singer/songwriter Joe Crookston stops by the studio.
Fort Smith will have a one percent prepared food tax soon......probably. Michael Tilley of the www.thecitywire.com discusses the latest in Fort Smith business and politics.
Becca suggests music, dance, poetry, comedy or drama for today's entertainment picks.
Pianist Utako Tanigawa stops by the studio prior to her performance this evening at Bella Vista First United Methodist Church.
Jesse Abdenour discusses his drug court documentary, which will air on AETN tonight.
“Gong” by Sigur Ros
Jodi Beznoska, VP of Communications at Walton Arts Center, tells us about the center's busy upcoming week and offers a preview of the 2011-2012 season.
“Cool” by Stan Kenton
